Masetto and Il Commendatore, Don Giovanni
Skylark Opera Theatre

"Bass Benjamin Sieverding...worked an impressive double shift as the peasant bridegroom Masetto and the murdered Commendatore who makes a devastating reappearance as Giovanni's nemesis."

StarTribune

"But a voice at the opposite end of the register also made a strong impression: Benjamin Sieverding has a booming bass that made the jealous bridegroom Masetto almost as compelling as the statue come to life who brings things to a close with a creepy condemnation by flashlight."

Pioneer Press

"...doubling as the powerless peasant Masetto and the Commendatore, who returns as an implacable statue to seal Giovanni’s doom, Benjamin Sieverding is spectacular, gliding across the floor like stone on wheels, and his big, rich bass voice brings chills. "

MinnPost

Colline, La bohème
Minnesota Opera

"...sang well, as did Benjamin Sieverding during a memorable farewell to a coat. "

Pioneer Press

"...his song to his coat, which comes very late in the opera, is a lovely surprise and made us wish we could hear more of Sieverding’s resonant baritone."

MinnPost

Filandro, Il tirinto
Consortium Carissimi

"As the intractable paterfamilias Filandro, Benjamin Sieverding dominated the evening vocally, his resonant, expressive bass a constant source of satisfaction. "

StarTribune

Sacristan, Tosca
Minnesota Opera

"...a special shout out to Benjamin Sieverding for his wickedly charming performance as the Sacristan at the top of the show."

l'étoile magazine

Sarastro, Die Zauberflöte
Minnesota Opera

"...a power and directness matched in this production only by Benjamin Sieverding as Sarastro"

Post-Bulletin

"Benjamin Sieverding brings his deeply expressive bass to the role of Sarastro"

Talkin' Broadway

"...bass Benjamin Sieverding made a definite impression when he arrived in the first act. This was reinforced with his excellent second act aria, 'O Isis und Osiris'."

Duluth News Tribune

Truffaldino, Ariadne auf Naxos
Minnesota Opera

"Zerbinetta's four partners in commedia dell'arte -- Andrew Lovato, who as Harlequin
is her main squeeze, Brad Benoit, Benjamin Sieverding and David Walton -- are a riot"

Post-Bulletin

Detective Kearley, Oscar
Opera Philadelphia

"Joseph Gaines and Benjamin Sieverding were genuinely pesky and genuinely threatening as Queensberry’s agents sent to keep Wilde from enjoying London prior to his sentencing."

Phindie

"Wayne Tigges, Benjamin Sieverding, and Ricardo Rivera were exceptional in their dual roles."

Philly Gay Calendar

Zuniga, Carmen
Opera Colorado

"Benjamin Sieverding has a surprising depth as José's captain Zuniga"

Boulder Daily Camera

Second Infirmary Patient, Oscar (premiere)
Santa Fe Opera

"...in the best scene in the opera, David Blalock and Benjamin Sieverding as patients in the prison infirmary, whose singing, with Daniels, of a musical-hall song happily recalled Kurt Weill."

Opera News

"One of the most effective scenes in the opera is an encounter in the second act that takes place in the prison infirmary. [...] Tenor David Blalock and bass Benjamin Sieverding are both marvelous in this touching scene."

Theater Jones

"Infirmary patients David Blalock and Benjamin Sieverding lent heart-choking realism to their poignantly sung cameos."

Edge Media Network

© 2019 by Benjamin Sieverding

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